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Her crystal-clear singing is at its best on ballads, soul-influenced grooves, and melody-driven compositions. Sometimes, you need someone from the outside to tell you how it fits.ġ0Sarah Thorpe’s album ended up being an easy affair. For sometimes, you may love a song but, like certain clothes that look good on the rack, it can fail to fit your personal style. A producer is here to make the musicians shine, to set forth what best becomes them. A producer can be useful to say no to an idea that does not dovetail with the whole, no to a beautiful tune that has become hackneyed. They often think they ought to do this or that, show their technical capacities, pander to the tastes of critics or the wishes of an elusive audience.
LOVE ME OR LEAVE ME NINA SIMONE PDF FULL
For an album is (or should be) an artistic statement, the result of having something to say.ĨAnd so when she approached me with the idea of recording a full album, I became her artistic counsellor, suggesting songs and musicians, discussing the relevance of grooves and tempos, instruments and atmospheres-and more generally listening to her.ĩSometimes artists do not perceive what makes them special. This implied singing in all sorts of places, with all sorts of musicians-and not always in ideal contexts (more on her at or At some point, this dues-paying musical journey enabled her to know what her own musical world was. She has been playing for a while in various clubs in Paris. Sarah Thorpe has worked with legendary singer Michele Hendricks (daughter of Jon Hendricks, founding figure of scat singing and vocalese in the 50s’) and French-based star Sara Lazarus. Ideally, a well-produced album is thus one where the producer has nothing to do.ħIn this case, the goal of the album was to make a statement of personality. Choosing the personalities involved-and understanding the way they interact-is in fact the one true defining moment.
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The producer should have open ears, not so much for technical questions, which are the musicians’ realm (although it helps to know what’s going on!), but for aesthetic matters. A producer is really a jazz lover who is able to voice an opinion. It consisted of discussing with the leader the choice of material and musicians, the aesthetic character of the project and its consistency. It is art born out of collective simpatico and independence of spirit.ĥSometimes, the project stems not from the musicians but from someone who will become the de facto producer although this role can be limited to either financing or organising things.ĦWhat I was involved in was rather the artistic side of production. Relying on gut-feeling, a band leader will put together musicians he loves to play with, whose styles and personalities correspond to what he has in mind, write compositions and/or arrangements with those musicians in mind, rehearse and / or tour with them and then go into the studio. Very often, jazz musicians self-produce their albums. Or conversely, as in this instance, it is a first step that enables the musicians to tour together.ĤThe artistic process at work in jazz is based on individual impetus, not marketing planning. Typically, an album is the outgrowth of musicians playing together. Paradoxically enough, despite the complexity and the uncertainties of the process, it’s actually very simple.ģFar from the hype of mass-produced music which requires an industrial approach to music-making-defining a marketing target, a genre, a formulaic sound-jazz musicians proceed with more intuition, not to mention purity of purpose. I know because I helped produce it.ĢYou might wonder how one goes about producing a jazz singer’s first album.
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1Sarah Thorpe’s Never Leave Me, Songs of Love and Longing is a great album.